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Relational-Making

Project type

material exploration, practice-led research, embodied research, relational making

Date

June - July 2026

Location

Bolton, Greater Manchester, UK

The sculpture emerged through an embodied process between intention and material response. As wire, wood, plaster and paint were assembled, periods of transactional control interrupted the relational openness established during earlier encounters with the tree. Rather than concealing these tensions, the making process became evidence of how understanding develops through interaction, reflection and negotiation with materials.

Branches and wire arranged on a table surface.

Art project with plaster and sticks on paper.

Hand brushing paint onto a sculptured piece in progress

Twisted tree roots with textured bark close-up.

Wooden sculpture with intertwined branches on stone surface.

Textured brown surface with rough, uneven patterns.

Wooden texture with intricate carved details.

Rough textured brown tree bark close-up.

Graph with piano keys and green checkmark.

Graph with green background and piano keys below.

Graph with musical notes and green background.

Abstract sculpture with intertwined branches and textured fabric.

Textured, abstract sculpture with blue and brown tones.

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Creative Approach

I invite you to explore and discover the creative process and theoretical methodologies that fuel my artistic journey. Your feedback and thoughts are always appreciated!

Visual Research Insights